Content Archive

VOLUME 47
NUMBER 4
WINTER 2009

AMY KURLANDEr

Delacroix’s Normandy Sketchbook of 1829

JANE SHOAFTURNER

Another Secure Preparatory Drawing by Jan Steen

RHODA EITEL-PORTER

Giovanni Battista Pozzo as a Draftsman

MARGARET MORGAN GRASSELLI

Tanging the Bees: A Curious Apiarian Practice in a Drawing by Claude Simpol

RICHARD SHIFF

Distractions: Cézanne in a Sketchbook

CARMEN C. BAMBACH

A New Drawing by Antonio Vassilacchi, Called Aliense

MÀRIA VAN BERGE-GERBAUD

An Unknown Drawing of an Interior by Peter Ilsted

JONATHAN BROWN

A Small, but Significant New Drawing by Murillo

EMMANUELLE BRUGEROLLES

Crispijn van den Broeck’s Battle of the Centaurs in the École des Beaux-Arts, Paris

ALBERT J. ELEN

Willem van Mieris and His First Model: Agneta Chapman as the Morgan Flora

TERÉZ GERSZI

A Jointly Executed Work by Pieter de Jode I and Jan Breughel I

COLTA IVES

Remarkable Miniatures in Delacroix’s Stable of Agitated Horses

ASHER ETHAN MILLER

A Study by Henri Lehmann for His Femmes près de l’eau

CATHERINE MONBEIG-GOGUEL

Giulio Cesare Bedeschini: A Draftsman from the Circle of Cigoli

PATRICK NOON

Bonington, Delacroix, and Rubens

LOUIS-ANTOINE PRAT

Delacroix: The Sultan and Charles the Bold

WILLIAM W. ROBINSON

The Date of Rembrandt’s Old Woman Seated in an Armchair

ANDREW ROBISON

Piranesi’s Venetian Mirrors

PIERRE ROSENBERG

Thomas Couture: Two Studies for the Decadence of the Romans (1847)

MARTIN ROYALTON-KISCH

From Lievens to Rembrandt

DAVID SCRASE

A New Acquisition for the Fitzwilliam Museum: Perino? Polidoro? Someone Else?

NICHOLAS TURNER

Mola’s Caricature Portrait of the Genoese Collector and Dealer Gerolamo Panesi

CAREL VAN TUYLL VAN SEROOSKERKEN

Three Studies for an Unknown Project by Pier Francesco Mola

CHRISTOPHER WHITE

A Portrait of an Elderly Man by Anthony van Dyck

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