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VOLUME 43
NUMBER 3
FALL 2005 |
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Sixteenth-Century Florentine Drawings |
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271 |
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273 |
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Philippe Costamagna
The Formation of Florentine Draftsmanship:
Life Studies from Leonardo and Michelangelo to Pontormo and Salviati |
274 |
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Janet Cox-Rearick
Friendly Rivals: Bronzino and Salviati at the Medici Court, 1543–48 |
292 |
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Catherine Monbeig Goguel
Workshop Continuity through the Generations: Bandinelli versus Francesco Salviati |
316 |
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Florian HÄrb
“Dal vivo” or “dal se”: Nature versus Art in Vasari’s Figure Drawings |
326 |
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Miles Chappell
Reform and Continuity in Later Florentine Drawing |
339 |
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Monica Marchesi
Further Investigations of Leonardo’s Leda and the Swan at Rotterdam |
349 |
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Paul Joannides
On, around, and after a New Drawing by Raphael |
356 |
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David Ekserdjian
The Purpose of Bronzino’s Dead Christ Reconsidered |
372 |
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Martin Clayton
Leonardo da Vinci: Master Draftsman, exhibition catalogue edited by
Carmen C. Bambach |
376 |
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John J. Marciari
Francesco Salviati et la Bella Maniera: Actes des colloques de Rome et de Paris (1998), edited by Catherine Monbeig Goguel, Philippe Costamagna, and Michel Hochmann |
378 |
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Nina Eugenia Serebrennikov
Lizzie Boubli, L’Atelier du dessin italien à la Renaissance: Variante et variation
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384 |
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387 |
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